The call of karaoke: 'Car singers' find thrill in making own music

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It’s a warm early summer evening, and the doors to The Playground Bar are open, letting in a cooling breeze and the sounds of the city. J.C. Scott steps toward the stage and, pausing for a brief moment to confer with the man behind the soundboard, takes up the microphone and begins to sing.

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Leonard McCandless Jr. (right) sings karaoke with his son, Leonard McCandless III, at Mi Rancho. A number of bars and restaurants in Augusta offer the chance to sing a tune.   MICHAEL HOLAHAN/STAFF
Leonard McCandless Jr. (right) sings karaoke with his son, Leonard McCandless III, at Mi Rancho. A number of bars and restaurants in Augusta offer the chance to sing a tune.

The song is the Billy Joel classic Piano Man, and while Scott’s rendition isn’t an exact duplicate of the original, he sings the standard with enthusiasm. As he sings, passers-by poke their heads in the open door, a few crossing the threshold for a drink and the opportunity to make a little music of their own.

Karaoke traces its roots to music machines marketed in Japan in the 1970s. The fad crossed the Pacific in the 1980s and took hold as a popular bar entertainment in the 1990s. Today, the advent of digital music means that complicated screens and machines are no longer required. Most karaoke rigs consist of a computer, a card table and a just enough amplification to allow the singer to be heard.

“When I first started, there were only a few places that did this,” said David Doane, the KJ, or karaoke host, at Laura’s Backyard Tavern in Evans. “It took a lot to do. Now they are everywhere and the requirements are different. It’s less about equipment and more about personality and knowledge. Everything is streamlined. Everything is accessible. I’ve found that I don’t even need to use a book anymore.”

In the Augusta area, karaoke fans can be found kicking out the jams every night. Whether bringing Madonna to a Mexican restaurant or Blue Cheer to a bar, karaoke succeeds, in part, because of its mix-tape mentality. Country crooning can segue seamlessly into a ’80s anthem and hard rock serves as an appropriate appetizer for a little AM gold.

Bohemian Rhapsody, Rebel Yell – there are things you know you are going to hear every night,” said Big Troy Bradley, who has been the host of karaoke at Playground for nine years. “But I have 64,000 songs on here. That’s not everything. There are things that come up that I can’t provide. But most of the time, I can find it. There is an instant-request aspect to what I do.”

Dawn and Wade Tate attend two or three karaoke nights a week. Dawn is a trained professional and Wade an enthusiastic amateur. They said that while singing karaoke serves as training for Dawn and catharsis for Wade, the true appeal isn’t the audience or performance or even creating something akin to art. There’s pleasure, they said, in the simple act of singing a song for its own sake and even greater pleasure in singing in the company of friends.

“We’ve gotten to know so many people,” Wade said. “People we have become good friends with. People that are a part of our lives. That’s been a real gift.”

It’s a relationship that extends beyond the singers. People making their way to Malibu Jack’s for the Tuesday night karaoke stop by Denny Van Valkenburgh’s KJ station before cracking a menu or heading to the bar. They see him not as an anonymous server of songs, but a friend and collaborator and co-conspirator.

“I know all these people, but I know them as singers,” he said. “That’s what we all share.”

Dawn Tate said one of the interesting by-products of karaoke is that it changes the way participants listen to music. Every song becomes a potential performance.

“You do start to listen differently and there are times when you hear a song that you know it’s going to be big come karaoke night,” she said. “I remember when My Heart Will Go On was released, every soprano in the world would sing it – including me. That happens all the time.”

The appeal of karaoke, said Jasmine Litsey, a Playground regular, is that it’s perfectly populist. There’s no dismissing singers over choice of material, stage presence or even the ability to carry a tune.

“We’re all just car singers,” she said with a laugh. “This is really an extension of that. It’s the same sort of thing, only here, we have our own little audience.”

“Karaoke is art for the Every­man,” Bradley said. “All you need is a willingness to step on stage and sing.”



ARMANDO’S: 5114 Wrightsboro Road; (706) 868-9088; Friday and Saturday

CLUB ARGOS: 1923 Walton Way, (706) 481-8829; Monday, Tuesday and Wednesday

GREEN STREETS: 402 11th St.; (706) 432-8870; Wednesday through Saturday

IRON HORSE: 2510 Storm Branch Road, Beech Island, (803) 867-2388,; Friday

LAURA’S BACKYARD TAVERN: 218 S. Belair Road, Martinez, (706) 869-8695; Tuesday and Wednesday

MALIBU JACK’S: 231 Furys Ferry Station, (706) 364-9175,; Sunday and Tuesday

MARGARITAZ: 461 Park West Dr., Grovetown; (706) 650-8100; Tuesday through Saturday

MI RANCHO: 2 Eighth St.; (706) 724-3366; nightly

MONTERREY: 4352 Washington Road, Evans; (706) 228-3645; Saturday

THE PLAYGROUND BAR: 978 Broad St., (706) 724-2232

SHANNON’S: 300 Shartom Drive, (706) 814-7760; Sunday

WILD WING CAFE: 3035 Washington Road, (706) 364-9453,; Monday

WOODEN BARREL: 3317 Peach Orchard Road; (706) 798-4500; Thursday through Saturday

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itsanotherday1 06/25/12 - 05:04 pm
I'm not fond of this medium.

I'm not fond of this medium. Too many people who think they can sing, but are so awful that it is embarrassing. I know I can't sing.

wsm141 06/25/12 - 05:10 pm
You forgot Broken Spoke

You forgot Broken Spoke Thursday nights and Glenda's Firday nights

wsm141 06/25/12 - 05:12 pm
@ Itsanotherday It's called

@ Itsanotherday

It's called havin a good time. It's not suppose to be professional people spend good money to get laughs like that at comedy clubs hahah

stillamazed 06/26/12 - 07:06 am
I enjoy listening!!!

To me it is fun watching both the ones who can't and can sing, it is entertainment and good for a few laughs.

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