Originally created 09/22/05

'Roll Bounce' fills screen with lifetime of subplots

There's more stuff going on in the 1970s roller boogie comedy-drama-romance Roll Bounce than there are mirrored panels on a disco ball.

Crammed with enough real-life traumas and feel-good turnarounds to fill a couple of after-school specials, the film from director Malcolm D. Lee (The Best Man, Undercover Brother) is well-intentioned but wildly uneven.

It does have an undeniable energy during the skating sequences, which feature elaborate choreography - imagine Breakin' on wheels - and a soundtrack jam-packed with period songs from which Will Smith and Diddy have stolen the hooks to make their own catchy, commercial rap ditties.

Speaking of rappers, the artist formerly known as Lil' Bow Wow - who now goes by just Bow Wow- shows he's a confident, natural actor as he emerges from his teens and from earlier, more youthful roles in movies such as Like Mike. If he keeps it up, he'll eventually have to start going by his real name, Shad Moss.

It would appear initially that Roll Bounce is aimed at his core audience, but as the movie goes on, it's hard to tell. There's an easy exuberance with which Bow Wow's Xavier (or "X" as he's known) pals around with his skate buddies, including his sassy, brace-faced neighbor, Tori (Jurnee Smollett), and trash-talking Junior (Brandon T. Jackson).

X still has yet to cope with the death of his mother a year earlier, leaving him with his father (Chi McBride), who lost his engineering job but still puts on a suit and leaves the house as though he's going to work each morning, and his younger sister.

The movie tries to be socially and politically relevant (like Beauty Shop, which writer Norman Vance Jr. also scripted) as X and his young friends bitingly pick at one another about race: One is Puerto Rican, another is black and white. The fast-talking trash collectors (Mike Epps and Charlie Murphy) refer to X's dad as an Uncle Tom and joke that he probably voted for Nixon.

The whole endeavor is set against the backdrop of the socio-economic disparity between Chicago's South Side - where X and his friends live - and the wealthier North Side, where they're forced to skate after their rundown local rink closes.

The shinier Sweetwater rink has smooth hardwoods, neon lights and Centipede machines. The disc jockey plays songs such as Samantha Sang's breathy ballad Emotion (which features backup vocals by the Bee Gees, a group X and his friends have never heard of, and neither will the teens watching this movie). The king of the place is a pretty boy with a huge entourage, and an even bigger afro, named Sweetness (Wesley Jonathan).

All these story lines, along with potential love interests for Dad (Kellita Smith) and X (Meagan Good) converge at - you guessed it - the Big Skate Off, which Sweetness and his tightly clothed crew always win, and where X and his posse pose a threat.

It's all formulaic, but Bow Wow is likable enough to make most of the movie tolerable. You might as well just give in, because you know there's going to be a Roll Bounce 2: Electric Boogaloo.

'Roll Bounce'

The Verdict: * * out of * * * *

MPAA Rating: PG-13 (for language and some crude humor)


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