Jar turns out to be work of heralded slave potter

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The old clay jar sat unnoticed for decades, covered in layers of thick paint.

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The five-gallon jar made in 1855 in South Carolina's Edgefield District was bought for $41,250 at auction.   Special
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The five-gallon jar made in 1855 in South Carolina's Edgefield District was bought for $41,250 at auction.

"It was completely yellow," said Greg Hawkins, a Burke County auctioneer. "At first, I didn't see any value in it whatsoever."

On a whim, he bought the jar and slowly removed the paint, which concealed a wonderful secret.

The jar, it turned out, was a piece of rare Edgefield pottery, made in South Carolina.

It was inscribed with a date: Dec. 11, 1855. It also bore the unmistakable mark of its maker: a man known simply as "Dave."

Hawkins soon learned Dave was a slave artisan who worked among the dozens of potteries that operated during the 1800s throughout South Carolina's plantation-strewn "Edgefield District" near Augusta.

The region's distinct, alkaline-glazed pottery is widely sought by art collectors. But the works of the mysterious slave potter Dave are among the most prized examples.

It wasn't just vessels of clay that made Dave special. Dave was also a poet who somehow taught himself to read and write -- and sometimes inscribed his insightful verses on his jars.

The vessels with poems -- of which at least 28 are known -- show he read the Bible, possessed a keen wit and comprehended the hopeless predicament of slavery.

The five-gallon jar Hawkins found in Burke County didn't have a poem, but the name "Dave" was enough to generate huge interest when it was auctioned Saturday night at Hawkins' auction house in Waynesboro.

With a buyer's premium, it fetched $41,250 -- a stunning price, even for a signed piece.

"We kind of expected somewhere in the $20,000 to $25,000 range," said Hawkins' wife, Cathy. "But this piece had never been in an auction before and was in really nice condition."

The buyer, whom she would not name, was from South Carolina and made the trip to Hawkins Auction Co.'s auction barn just to buy the jar.

"The funny part is, when I saw the thing, I told (Greg) not to buy it," she said. "It was ugly -- and filled with so much dirt I thought it would break if we picked it up."

Dave's pottery is in many private collections, in addition to museums including the Smithsonian, the Philadelphia Museum of Art, the Museum of Early Southern Decorative Arts in North Carolina, Atlanta's High Museum, Boston's Museum of Fine Arts and Detroit's renowned Museum of African-American History.

Poetry in clay

Horses mules and hogs

all our cows is in the bogs

there they shall ever stay

till the buzzards take them away

-- Dave, March 29, 1836

I wonder where is all my relations

Friendship to all and every nation

-- Dave, April 16, 1857

The forth of July is surely come

to blow the fife -- and beat the drum.

-- Dave, July 4, 1859.

Good for lard or holding fresh meats,

blest we were, when Peter saw the folded sheets.

-- Dave, May 3, 1859

Another trick is worst than this,

Dearest Miss, spare me a kiss.

-- Dave, Aug. 26, 1840

Comments

getalife

Great article Rob.

Rolling Eyes

I loved the poetry, especially the first item.

thumper

Many years ago I took my art history major daughter to visit Edgefield and a potter there named Stephen Ferrell told us about Dave. We saw some of Dave's work. This is the first time I'd had the pleasure to read Dave's verse. Thanks for sharing this bit of history.

gomer73

Great article, thanks for this piece of history. PBS just aired an episode of History Detectives about a face jug from the Edgefield District. They had a picture of a jug and the persons jug, both had the same thumb print in the glaze.

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