As a child, you were taught kindness and compassion, honesty and trustworthiness. You learned graciousness and generosity and embraced gratitude.
You’ve always tried to be good for several reasons, mostly because it’s the right thing to do. Also, there’s a place for evil people, and you don’t want to go there, but in the new novel Inferno by Dan Brown, you might have no choice. Hell may be coming to Earth.
Nothing made sense – but then, nightmares rarely do.
When Professor Robert Langdon woke up in a hospital room in Florence, the nightmares weren’t the worst of his problems. Langdon couldn’t remember how or why he’d gotten to Italy or how he’d been grazed by a bullet aimed at his head. Though he’d been sedated, there was little time for recovery: moments after he regained consciousness, a spiky-haired woman strode down the hospital’s hall and tried to kill him again. He narrowly escaped with the help of his doctor, quick-thinking Sienna Brooks, who asked Langdon about an object he’d been carrying.
Covered with text and symbols, the object was a cylinder that, once opened, yielded an odd device that became a projector. Though Langdon was an expert on Italian art and literature, Dante in particular, the image from the projector mystified him.
It was a famous painting, an impression of Dante’s Inferno, but it had been altered. Dante’s Rings of Hell were out of order, with additions to the painting in strange places. Slowly, Langdon comes to understand that the alterations were clues to what the device was and where it had come from – but there was no time to think. Someone wanted him dead, and would surely kill Brooks, too.
On a ship just off the coast of Italy, the provost pondered his last client. He was glad the man’s contract was done. The Consortium had spent a year maintaining the man’s privacy and safety, but the work was troublesome and the provost regretted taking the business.
He regretted it even more when he realized what the client was about to unleash.
Brown’s two main characters escape and are chased over and over and over again, relentlessly – which is exciting at first, but tiring as this book progresses. Inferno also ends rather strangely (but I won’t tell you why, because that would ruin it for you).
It’s a thriller with chases, intrigue, esoteric clues that require genius-level thinking, international locales, secret passages and a madman. It’s complex and fast-moving. For a couple weeks of entertainment, what more could you want?
Fans of The DaVinci Code will feel right at home with this book in their hands, and espionage lovers will want to dive right in.