Sundance's 'Rectify' rises above prison-release genre

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NEW YORK — When Aden Young cracked open the script for Rectify, he thought, “Oh, here we go again: another guy released from Death Row.” But he kept reading, and within a few pages “I realized this script had some sort of solid anchor. That anchor was Ray and his unique take on life.”

Solidly anchored by creator-writer Ray McKinnon, this six-hour miniseries (whose first two hours air on Sundance Channel at 9 tonight) tells a unique story about a man who was caged for two decades for the rape and murder of his teenage girlfriend. Then, when his conviction is vacated thanks to new DNA evidence, he is restored to an outside world that proves just as harrowing.

“Just because he’s getting out doesn’t mean this thing is over,” Daniel Holden’s lawyer warns his family as they wait outside the prison walls for his return to them and the Southern hometown he no longer knows.

Holden is played with poignant spareness by Young, an Australian actor whose credits include Killer Elite with Robert De Niro and Clive Owen, the TV series The Starter Wife and the upcoming film adaptation of the graphic novel I, Frankenstein, in which he stars as Dr. Frankenstein.

“Every now and then something comes along that speaks to your personal rhythm,” said Young by phone from Sydney. “I felt there was almost a necessity for me to play Daniel.”

McKinnon felt a necessity of his own to write Rectify. An actor best known for his role as Reverend Smith in the HBO series Deadwood and as Lincoln Potter, a psycho lawman on the FX drama Sons of Anarchy, McKinnon is also a filmmaker who shared a 2001 Oscar for the short film The Accountant, which he produced and starred in alongside his actress wife, the late Lisa Blount, and friend Walton Goggins (Justified).

The dynamics of family fascinate McKinnon, as he explains by phone from Florida. Another object of interest: how the legal system can go terribly awry.

“I kept thinking about society’s need for order, sometimes in lieu of justice,” he says. “If something heinous happens, we want to feel like we can find and root out the evil that caused it. But the pressure to do that can cloud our judgment.

“One day, I just decided to write something about all that, and see if it would manifest.”

Loss is the overriding theme of Rectify. Loss is felt everywhere: the town’s loss of equilibrium upon Daniel’s return; the loss of the murdered girl; the irrecoverable loss of decades in prison by Daniel. He is truly a lost soul.

“But there was also the lightness of being that I wanted to present as a part of his experience,” McKinnon said.


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